Review: David Douard, “Slippers of Snow”

Konrad Fischer Galerie, Berlin. “At the center of my ironic faith, my blasphemy, is the image of the cyborg,” writes Donna J. Haraway in the opening paragraph of A Cyborg Manifesto (1991), which might as well serve as a tagline for David Douard’s current exhibition. Industrial meets biomorphic design, with rooms sectioned off with steel […]

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